Glosas and Arte: Source knowledge as audible sound discourse in the Early Baroque, Classical and Romantic periods
Ornamental techniques (glosas) and narrative artistry give the programmes a clear musical structure.
Historical trombones – with art whistling on request – in dialogue with the organ or harpsichord.
Early Baroque · Classical · Romantic periods as a coherent musical history.
‘The GlossArte duo were the clear winners on points at the 9th International H. I. F. Biber Competition on 4 May 2025. The trombonist’s virtuosity was astonishing, whilst the clarity of tone and the varied programme were a delight. Their captivating stage presence and relaxed yet focused demeanour rounded off the positive overall impression made by this ensemble.’
Gunar Letzbor, Artistic Director of the competition and founder of the Ars Antiqua Austria ensemble.
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‘The starting point is the sound itself... Building on this premise, Juan González Martínez and Lea Suter have put together a well-balanced programme that makes the most of both the vocal dimension and its rhetorical virtuosity.’
Jaume Darbra - Melómano 11.6.2026
“This new world of sound is sure to delight”, “Great flair… solidly stylish and intelligent” Lindsay Kemp (Gramophone), 23 March 2026
“Lively tempos… ornamentation in the style of the period… a sparkling enthusiasm for playing.” Prof. Klaus Trapp (Klassik heute), 27 December 2025
“The unmistakably delicate sound of the silver trombone … takes us on a journey around the Mediterranean …” Rhein-Main-Magazin, 17 December 2025
“The combined sound of the trombone’s silvery tone and the organ’s rich timbre … a warm and exquisite sonority …” Adrian Quanjer, 30 November 2025